WanderingItem: WSS006
$12.00
State Lists: Florida, New York
For 4 1/3 Octave Marimba
Enjoy this collection of 7 solos, 2 duets & 1 trio from Dan Moore. You’ll only need one 4 1/3 octave marimba to perform these pieces. Excellent festival and audition material for the beginning marimba enthusiast.
Related products
-
Dennis DeLucia’s Percussion Discussion
About the Master Edition
The Percussion Discussion Master Edition now includes a CD-Rom that contains a 35-minute clinic-lesson given by Mr. DeLucia. Dennis covers everything in this clinic from the grip to his “Five T’s” and “Three R’s”.
You also get to eavesdrop on a private lesson with a student as Dennis goes through some of the basic snare drum fundamentals. This is a great tool for the band director, private teacher and student to witness one of the “Greats”informal and educational methods of teaching.
The CD-Rom also includes audio files of several music selections throughout the book.Great for college percussion method courses and beginning to intermediate drum-line instruction!
The Master Edition includes:
- Reading – Including Simple Duets And Full Ensemble Rhythm Exercises
- 75 Rudiments And “Rudiment Development Exercises”
- 12 Ensemble Warm-Up Exercises
- Elementary Keyboard And Timpani Exercises
- Independence Exercises
- Drumset Grooves For Marching Percussion
- (3) Cadences
- A Complete Marching Percussion Feature
- An Accompanying 26-Minute Compact Disc Narrated By Mr. DeLucia!
- NEW CD ROM!
About the Student Books
Teaching from the “master edition” is made easier for the classroom format. These four “student books” contain parts and text that pertain to the individual instruments. 60+ page Student Books retail for $10.00 each:
Check Out These Video Tutorials
- Intro & Basic Grip
- Anatomy of a Stick
- Matched Grip
- Traditional Grip
- The Five T’s Grip
- The Three R’s Grip
- The Five Essential Strokes
- Dynamics
- A Lesson with Dennis
Comments about “Percussion Discussion”
“Marching percussion has long needed a practical method for teaching and performing the concepts of marching percussion wait no more! Dennis DeLucia’s Percussion Discussion, vol. 1, provides music educators and their students with a logical and comprehensive method for teaching percussion technique, music reading, ensemble warm-ups, arranging, rehearsal techniques, and much more! The text is well organized, fun to read, and packed with useful exercises, cadences, and an exciting percussion feature. This method should be a required text for every band and percussion educator!”
Jim Campbell (Professor of Music-University of Kentucky)
“It’s possible that no one in the world of marching percussion today has the background and experience that Dennis DeLucia has accumulated. In sharing this with the public – and especially tomorrow’s performers, educator’s and writers – he has contributed a resource that will give a boost to the world of marching percussion for years to come.
“However, those who know him are aware that Dennis isn’t as concerned about the future of marching percussion as he is about the future of marching percussionists. Through his frequent use of tips which talk directly to the performer, his love and respect for the individual comes through clearly.”
This love and respect for what individuals can attain contributes immeasurably towards making “Dennis DeLucia’s Percussion Discussion” such an invaluable resource. It should be a required text in every marching methods course taught.”
Michael Boo (Reviewer)
“This book contains everything – I MEAN EVERYTHING, a middle school or high school band director needs to intelligently approach percussion instruction, composition, instrumentation, selections and rehearsal. The chapters on staging, writing and teaching especially highlight Dennis’ philosophy – percussionists are musicians too, and deserve to be treated as such. Percussion Discussion should be required reading for all college methods classes – and for the rest of us that thought we knew this stuff all along.”
Matt Krempasky (Arranger, Trumpeteer, High School Band Director)
“The perfect tool for assisting the non-percussionist who is seeking marching percussion information, i.e., percussion methods class. It contains creative material that will be useful for percussionists throughout the year.”
Lalo Davila (Middle Tennessee State University)
“Dennis’ Percussion Discussion is a valuable marching percussion resource for music educators. He provides insightful tips on many aspects of marching percussion in a relaxed, spoken style.”
Nick Petrella (University of Iowa)
“This book is SUPERB! It has to be THE book! It answers all the questions that I’ve been asked over the years…in an almost personal style. Here in the U.K., Percussion Discussion should easily become the bible for marching percussion as well as general percussion enthusiasts!”
Jim Campbell (Professor of Music-University of Kentucky)
“Marching percussion has long needed a practical method for teaching and performing the concepts of marching percussion wait no more! Dennis DeLucia’s Percussion Discussion, vol. 1, provides music educators and their students with a logical and comprehensive method for teaching percussion technique, music reading, ensemble warm-ups, arranging, rehearsal techniques, and much more! The text is well organized, fun to read, and packed with useful exercises, cadences, and an exciting percussion feature. This method should be a required text for every band and percussion educator!”
Steve Jordan (United Kingdom)
“Dennis DeLucia’s Percussion Discussion is an excellent tool for all music educators. From staging concepts to drumset grooves to the accompanying cassette tape, it fills in the gaps that other texts ignore.”
John Evans (percussionist, educator)
“Percussion Discussion is an outstanding book – an obvious masterwork. It should serve as a college text, especially for non-percussionists interested in teaching. I particularly enjoyed the side comments (e.g. Perform – don’t compete”), non-percussive observations and overall emphasis on groove and ensemble awareness”.
John Evans (percussionist, educator)
-
Impressions On Wood
Inspire young sensitive musicians to productive music making..
A collection of 10 intermediate four mallet solos for the marimba. Lesson plans precede each solo and MP3 downloads of all 10 solos are included with the book.
Comments about “Impressions On Wood”
“Never over written, always musical, melodic and enchanting, these works will delight young sensitive musicians and inspire them to productive music making. Julie has created a body of work that will encourage musicianship, memorization and technical advancement. They are, singly or in tandem, perfect recital pieces each with its musical and technical demands. And by the way, I’d love to hear mature artists play these works.”
Robin Engelman – Member of Nexus
“This is what the marimba world has been waiting for. Great pieces to play on concerts that are fun and challenging. The variation with themes and style gives you a great experience in the musical world. I am looking forward to hearing these pieces performed around the world. Basta halsnigar.”
Anders Astrand – Percussion Artist and Composer
“The pieces in this book are exciting, new age and great for technique development, most importantly — they are so much fun!”
She-e Wu – Chair of Percussion Studies at Rutger’s University International Marimba Artist
“Julie Davila’s Impressions on Wood has filled in a much-needed body of repertoire for intermediate percussionists looking for short recital pieces. These works introduce technical challenges while maintaining beautiful, lyrical melodies and form. It is nice to see a book that contains a logical and well-conceived pedagogical approach while adding to the marimba literature base.”
Dr. Michael Gould – University of Michigan
“Musical, accessible and challenging describe Impressions On Wood. These marimba solos and the lesson plans will definitely enhance the progress of the intermediate marimba player.”
John H. Beck – Professor of Percussion Eastman School of Music
“These short pieces and exercises are ideal for developing technique and introducing musical issues to the young student. The works are wonderfully written and beautifully played. The artistry in the accompanying performances is to be admired! Although these pieces are intended for intermediate players, they are musical and expressive enough to be performed by artists of any level.”
Dr. Andy Harnsberger – Marimba Artist and Educator
- State Lists: Missouri, New York, Ohio, Texas, Wisconsin
-
Shazam! Book and DVD
Just when you thought it was safe to roam the streets again…
Here’s an exciting grab bag of 16 easy and intermediate solos for all of you super-heros out there! Sink your teeth into this diverse solo collection for snare drum, timpani, keyboard and multi-percussion. Great for auditions and contest festivals. 14 of these 16 solos are approved for the Texas U.I.L. list.
- State Lists: Florida, Missouri, Ohio, Texas, Wisconsin
-
The Drummer’s Daily Drill
A “must” for every percussionists library, from junior high and up. A great primer for the freshman college student.
This book contains exercises, original audition etudes, classic excerpts and independence “work outs” for snare drum, drum set, timpani, and tuned percussion.
- State Lists: Arkansas, Missouri, Texas
-
Ziggadabuzz (CD only)
Excellent for auditions and competitions!
Check-out this hip collection of snare drum solos written by Pro-mark’s finest educators!
A potpourri of 15 solos that range in difficulty from easy to extremely advanced. Each solo has an exercise section to help master some of the more intense sections of the music.
Ziggadabuzz CD performed by Pat Fitzgibbon, Jon Quigg, Sam Bacco and Jeff Moore.
- State Lists: Florida, Indiana, Missouri, Texas
-
The Drummer’s Rudimental Reference Book
Must have for the private instructor and band director.
Dr. Wooton is the director of Percussion Studies, University of Southern Mississippi and former Percussion Caption Head for the Phantom Regiment Drum & Bugle Corps
This book is packed full of lessons and exercises. Neatly organized into 41 different sections, this book covers rudiments, one-handed exercises, stick control, timing, relaxation, odd-groupings, back sticking, & tenor drumming.
Comments about “The Drummer’s Rudimental Reference Book”
“This book can be used for beginners as well as advanced rudimental performers. It can also be used for individual and ensemble situations. Superior performance can be obtained if this book is used properly. I highly recommend it to any teacher and student at any level.”
Marty Hurley – Phantom Regiment Drum & Bugle Corps
“John Wooton’s book, The Drummer’s Rudimental Reference Book, is an excellent collection of exercises to develop the author’s five stroke method. The text contains detailed explanations for the production of each stroke and graduated exercises for their application. The exercises are medium to difficult and can be used with either individuals or a drumline. (My students particularly enjoy the flam rudiments.) This book is a necessity for every serious drummer”
Dr. Robert Schietroma – Coordinator of Percussion, University of North Texas
“John Wooton’s Rudimental Reference Book is packed with intuitive exercises that should assist drummers young and old in solving the problems of correct rudimental execution. If teachers and students will follow this method to the letter, it could become the definitive rudimental technique book of our time.”
Thomas L. Davis – Percussion and Jazz Studies, University of Iowa
“Finally someone has written the quintessential rudiment/snare drum manual! This book is so good and so thorough it should be a manditory item in every drummer’s library.”
Dennis DeLucia – D.C.I. Hall of Fame
“The most comprehensive set of exercise patterns since George Lawrence Stones Stick Control.”
Fred Sanford – Yamaha Marching Percussion Clinician
“A clear organized reference book for any player, any type of drumming. A contemporary fun approach to fundamental hand sticking patterns. Inspiring to practice! Also great feel exercises!”
Dom Famularo – Drum Set Clinician for Tama Drums and Sabian Cymbals
“This long needed reference guide truly fills a void for today’s rudimental drummers.”
Jay Wannamaker – Director of Marketing, Yamaha Corporation – Band & Orchestra Division
“…an excellent supplement for someone looking to develop his or her technique. The exercises presented are quite challenging, and are geared more for intermediate to advanced players. The material here would be especially appealing to drum corps aficionados, college-level students, or anyone desiring to build up his or her chops.”
Modern Drummer Magazine
“This is it! This text is the best ever written for teaching the rudiments and will soon be on every serious drummer’s shelf. I commend John Wooton for putting together a text that we have needed for a long time… Bravo!”
Jim Chapin – Author, Teacher, Drum Set Artist
-
Masterworks For Mallets
For Levels Medium to Advanced
A collection of 50 transcriptions and arrangements of classical masterpieces from composers such as Bach, Mozart, Vivaldi, Elvis and Bachrach. (Just kidding about the Elvis & Bachrach.)
Beth Gottlieb has compiled this 117 page collection and adapted them for xylophone and marimba. Perfect for audition and festival repertoire and great material for those wishing to improve their sight-reading skills.
- State Lists: Florida, Wisconsin
-
Festival Snare Solos
Intermediate – Advanced Snare Drum Solos..
Check out this revised addition of a fantastic collection of rudimental snare drum solos by the legendary Marty Hurley. We’ve added “First Flight”, a classic blast from the past! Enjoy!
What You’ll Find In This Book
- First Flight – Grade 2
- Lava Flow – Grade 3+
- Sonny’s Solo – Grade 4
- Abu’s Bash – Grade 4
- The Clave King – Grade 4
- Crash Landing – Grade 4+
- The Tower of Terror – Grade 5
- Scud Attack – Grade 6
- The Mambo King – Grade 6+
- State Lists: Florida, Indiana, Wisconsin